González is often associated with the Pop Art movement. [3], González grew up in Colombia during the 1940s and 50s, while the country was plagued with violence and war due to the social and political upheaval known as La Violencia. She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. She returned to Bucaramanga in 1958. Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). See all articles Although González is well regarded in Latin America as an artist and teacher, it’s a coup that Miami is the first city to host this show in the United States. González ended up enrolling in University of Los Andes (Colombia), graduating from their fine arts department in 1962. The work of Beatriz González (Bucaramanga, 1938), widely regarded as one of the seminal artists from the Colombian art scene, occupies a unique place in the history of Latin American art — not only is she a pioneer of Pop Art, but also, almost without calculation, an incisive and coherent chronicler of recent Colombian history. Colombian artist Beatriz González also graciously opens our minds in the process, exposing the world to us in ways we may not have considered. Growing up during this time largely influenced González's understanding of Colombia society, and eventually even her artistic style. Beatriz González Museo de Arte Miguel Urrutia After earlier presentations at the Museum of Fine Arts, Houston, and the Pérez Art Museum Miami, this retrospective—the most comprehensive showing to date of the work of Beatriz González, one of the most influential living Colombian artists— finally arrived at the Museo de Arte Miguel Urrutia in Bogotá. Typically she would take her images from well known Italian Renaissance and history paintings, or pictures from the present day news media, transferring these images onto cheap nightstands, chairs, coffee tables and beds painted by an amateur painter. Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). 10 Colombian Artists Who Are Shaping Contemporary Art. Beatriz González Reveals the Politics and Painting of Colombia The artist's first United States retrospective arrives at the MFAH with a pop of color. Articles Featuring Beatriz González. [6], This work consisted of an image of a mother holding her child that was based on a picture that was widely printed and distributed by a printing company in Colombia. [2], After accompanying her husband who is an architect to a hardware store in the 1970s, she began her work on various pieces of store-bought furniture that would generally be found in middle-class households earlier in the century. Beatriz González: A Retrospective presents more than 130 works, culled from the artist’s career from the early 1960s to now. She often thought that the pop movement was not present in her preferred medium of painting and that it wouldn't be an appropriate label for the work she was doing. She used the location of the would be mirror to frame her work so when the viewers look at the work they see an image of beauty recreated in a cheap, reproduced style. Auction Records. Beatriz GONZALEZ (1938) (Colombia) is an artist born in 1938 The oldest auction result ever registered on the website for an artwork by this artist is a furniture sold in 1989, at Sotheby's, and the most recent auction result is a painting sold in 2020. Museo de Arte Moderno. Comprised of more than 100 artworks, Beatriz González: A Retrospective is the first large-scale U.S. exhibition dedicated to González … The artist co-opted these widely-circulated pictures of mothers, children, saints, and other sentimental figures as a way to question taste, both in popular culture and in her avant garde art circles. Comprised of more than 100 artworks, Beatriz González: A Retrospective is the first large-scale U.S. exhibition dedicated to González … Bea González (Vhea)'s Portfolio. Beatriz González: A Retrospective is the first large-scale U.S. exhibition dedicated to the work of Colombian artist Beatriz González. González is often associated with the Pop Art movement. … González is often associated with the Pop Art movement. Beatriz González (born 1938) is a Colombian painter, sculptor, critic, curator and art historian. For me the type of art that I was doing could only circulate internationally as a curiosity. “The idea of taking images from everyday reality runs through my whole career,” says González. Mine was a provincial type of art without horizons, confronting the everyday: art is international." She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. This work was one of González's first furniture pieces out of her series of furniture works. This painting was based on a photo that originally appeared in the press of a couple who commissioned a professional photographer to take their portrait before jumping off the dam of the Sisga on the outskirts of Bogotá. After accompanying her husband who is an architect to a hardware store in the 1970s, she began her work on various pieces of store-bought furniture that would generally be found in middle-class households earlier in the century. González is often associated with the Pop Art movement. Buy / Sell. It consisted of Leonardo da Vinci's Last Supper work that had been repainted onto metal sheets that were them mounted on a faux-wood dining table. The picture was sent to their families, and when the news broke it was widely reprinted in black and white in the local newspapers. This work – included in the Museo Reina Sofia’s retrospective of Beatriz González curated by María Inés Rodríguez, on until September 22 nd – hangs as a backdrop to a collection that, at first glance, could be a furniture store. When asked if she had at any point considered herself a pop artist she responded with, "I’ve always considered myself more of a painter and within this remit I painted the joy of the underdeveloped. The theme of mother and child was one that commonly occurred in her artwork thus turning González herself into an image of maternity. Growing up during this time largely influenced González's understanding of Colombia society, and eventually even her artistic style. The full title of this work is Nací en Florencia y tenía 26 años cuando fue pintado mi retrato (esta frase pronunciada en una voz dulce y baja), translated to I was born in Florence and was 26 years old when my portrait was painted (this phrase pronounced in a low, sweet voice). [10] In this case, she intentionally takes all of the shadows and duller colors that made this work more European, and animated it more in hopes of making it more uniquely Latin American. Artwork page for ‘The Last Table’, Beatriz González, 1970 González stood out from her contemporaries as one of the first artists in Colombia to draw inspiration from the mass media, creating dialogue between popular narratives and formal painting. “Beatriz González: A Retrospective,” on view through Sept. 1, assembles more than 150 works from 1960 to the present and explores the prolific career of this outspoken artist. Overview . González claimed that she was attracted to this picture due to its "bad quality" or more so its plain quality, the simplification of the facial features that were almost deformed by the discrepancy. [6], In 1985 González's work took a dramatic stylistic shift from its vibrant colors and shapes, to more dark imagery. She is the youngest daughter of Valentín González Rangel and Clementina Aranda Mantilla. Feeling that she couldn't laugh after that event, she began to explore themes of death and the drug trade as well as exploring some of Colombia's most tragic events. “Beatriz González: A Retrospective,” on view through Sept. 1, assembles more than 150 works from 1960 to the present and explores the prolific career of this outspoken artist. The Artist. cat. Beatriz Gonzalez (Born 1936) Beatriz Gonzalez is active/lives in Columbia. [3] In the late 1950s, she enrolled in architecture school, but she dropped out only a few years later. Beatriz González. This was after the M-19 guerrilla attack on the Palace of Justice in an attempt to try to president, they left 94 dead. Pérez Art Museum Miami, April 19–September 2, 2019; Museum of Fine Arts Houston, October 27, 2019–January 20, 2020. Tobias Ostrander and Mari Carmen Ramírez. [8], One of González's most well known and earliest works depicts a young couple standing holding hands with one other and a bouquet of flowers with a slight smile on their faces. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. González grew up in Colombia during the 1940s and 50s, while the country was plagued with violence and war due to the social and political upheaval known as La Violencia. ‘Vertical Displacement’ was created in 2016 by Beatriz González in Pop Art style. This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). Although González is well regarded in Latin America as an artist and teacher, it’s a coup that Miami is the first city to host this show in the United States. Their work was featured in numerous exhibitions at key galleries and museums, including the Brooklyn Museum of Art and the Benaki Museum of Greek Culture.Beatriz González's work has been offered at auction multiple times, with realized prices ranging from $3,509 USD to $137,500 USD, depending on … Notably influenced by both the colorful character of pop art and the wide spectrum of Colombian local art, the painting and sculpture of Beatriz González explores political, social, and romantic subjects with equal insight. The painting was painted on a sheet of metal that was then mounted on the inside of a crib that González found in the streets of Bogóta that originally belonged to a hospital. [4], Although González is often referred to as an artist of the pop art movement, she has never considered herself a pop artist. [2], In 1965 González created a painting entitled The Suicides of Sisga, the painting was based on a picture of a young couple that had been published in a local newspaper after they jumped off the dam of the river Sisga in order to preserve the purity of their love. She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. Spanish Illustrator. Beatriz González is a Colombian Postwar & Contemporary artist who was born in 1938. Beatriz González: A Retrospective was the first large-scale U.S. retrospective of the work of Bogotá-based artist Beatriz González (b. View Beatriz González’s artworks on artnet. Exhibition organized by Tobias Ostrander and Mari Carmen Ramírez. Sep 16th, 2019. "[5], She has oftentimes been acknowledged for being a woman in a movement and country where a great deal of her peers were men, according to González, this has never been a problem for her and credits Marta Traba for encouraging the presence of woman in the Colombian art scene and states that she doesn't believe in the complex of the female artist who must be victimized. She grew up in Colombia in the 40s and 50s, during an era of political unrest known as La Violencia (The Violence). Auction Records (3) Oct 27th, 2020. In this work, González placed her own painting of da Vinci's Mona Lisa where the mirror would be on a very large and elaborate antique coat rack. She returned to Bucaramanga in 1958. Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). González is often associated with the Pop Art movement. During this time she produced a series of ink drawings on the same theme, that were tabloid photos of crimes of passion and political murders as well as advertisements for everything from bodybuilding to headache cures.[9]. Digital and traditional art These works contain two different images taken from current events of the time, which have been printed and repeated to resemble a frieze. “Beatriz González: A Retrospective” will be on display at the Museum of Fine Arts until January 20. The work of Beatriz González (Bucaramanga, 1938), widely regarded as one of the seminal artists from the Colombian art scene, occupies a unique place in the history of Latin American art — not only is she a pioneer of Pop Art, but also, almost without calculation, an incisive and coherent chronicler of recent Colombian history. [3] González ended up enrolling in University of Los Andes (Colombia), graduating from their fine arts department in 1962. “Beatriz González: A Retrospective,” on view through Sept. 1, assembles more than 150 works from 1960 to the present and explores the prolific career of this outspoken artist. Artprice.com's price levels for this artist … More than 100 pieces are on display in the first large-scale exhibition dedicated to González. Beatriz González is a Colombian Postwar & Contemporary artist who was born in 1938. “The idea of taking images from everyday reality runs through my whole career,” says González. Beatriz González is a Colombian painter, associated with the Pop Art movement. [5] This painting was the first of a number of paintings done by González in the 1960s in which she explored the intense violence in Colombia. Beatriz González is a Colombian painter, sculptor, critic, curator and art historian. Medellín-Colombia (2015). Sep 21st, 2017. Beatriz González is a contemporary Colombian painter known for her colorful depictions of celebrities and politicians on furniture and fabric. While there, she was a student of Argentine art critic and historian Marta Traba and Spanish painter Joan Antonio Roda. Beatriz González. The Latin American Women Artists Who Fought Patriarchy with Their Bodies. She carefully coordinated her images with the furniture's function, such as painting the popes face on nightstands, conjuring up devotional images commonly found over beds or on nightstands in the average Colombian household. November 30, 2020 • Beatriz González on art history, bad taste, and the search for memory Beatriz González, Los This work was initially refused at the 1965 Salon of Colombian Artists, disregarded and brushed off by the Jury as a "bad Botero". The Artsy Vanguard 2019: 50 Artists to Know Right Now. 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